Well Redd - guest post by Vaughan Stanger
No, that isn't a typo.
I wanted to use this guest blog to draw your attention to an innovative web-site and some of the marvellous writing it hosts. No, I'm not referring to my own works!
In short, this post is about AnthologyBuilder. But more importantly, it's about a particular writer. I'll come to him shortly.
But first, what's so great about AnthologyBuilder? Well, the way I look at it is that Nancy Fulda (aka nancyfulda) has created a viable afterlife for our previously published stories.
Most short stories are evanescent. They're swiftly forgotten, whether they deserve obscurity or not, because they either go out of print or are buried in an on-line archive. AnthologyBuilder solves that problem not only by providing somewhere for our works to live on, but also by putting power in the hands of the reader, who can compile the stories she wants to read in a book adorned with a cover of her choice. The books are beautiful. I've bought several; some to keep, others to give as presents to friends and family.
Will AnthologyBuilder make a writer rich? Hell, no! We're talking royalties here; micro-payments, at best. But what AnthologyBuilder does provide is an effective tool to promote your stories, either in isolation or -- probably more effectively -- in conjunction with the work of writers you admire. Because you're a reader too, right?
But best of all, AnthologyBuilder allows the reader to rediscover forgotten treasures, like the stories of David Redd -- one of my favourite writers of short SF; also one of most self-effacing writers I've ever met. I was lucky enough to workshop with him at Milford in 2004 and 2005. Even today, my fanboy behaviour on first meeting him makes me blush.
David's writing career began in the Sixties, when his first story, "The Way to London Town", appeared in New Worlds in 1966. The most recent story that I know of is "Adult", which was published in Bewildering Stories in 2007.
In a run lasting more than forty years, David's humane and thought-provoking stories have graced many of the top magazines, such as Asimov's, F&SF and Interzone. Despite his track record, no collection of his work has emerged from the SF presses, large or small. Recently, adverse personal circumstances have caused a hiatus. I can only hope that this proves temporary, because I would dearly love to read that long-promised David Redd novel.
When I compiled my first AnthologyBuilder book, Two Degrees of Separation, I felt compelled to include one of David's stories. Thus I had the pleasure of re-reading "On the Deck of the Flying Bomb" nearly thirty years after first encountering it in the pages of Interzone. This wonderfully absurdist yet compelling SF tale remains one of my favourites. And there are plenty more gems to read, such as the hilarious "Green England".
You can find David Redd's stories in various themed anthologies that have been stored in the AnthologyBuilder library, but I particularly recommend The House on Hollow Mountain, which David compiled himself. Want to know more? Well, David's web site is a good place to start, likewise his AnthologyBuilder page.
I would, of course, love to hear about other undeservedly neglected authors, whether their work is present on AnthologyBuilder or not.
By day, Vaughan Stanger works as a research manager at a British engineering company. He says this is a less interesting than it sounds, which is why, thirteen years ago, he began setting himself homework. The resulting short stories have been published in Nature, Interzone, Postscripts, Hub and Neo-opsis, amongst others, with translations appearing in Polish and Hebrew. His most recent sale is to Music for Another World, an anthology forthcoming this summer from MutatioN Press. Vaughan is working on a novel, but then isn’t everybody?